Avraham Tal, one of Israel’s most popular pop rock singer/songwriter has been using the Blueberry to record his newest hit. Check out “Or” (in english: Light), the first track on his upcoming album; it’s sure to tug on your heart strings.
Archive for the ‘In The Studio’ Category
Blue Recording Mics Around the World: Israel’s Avraham Tal Uses Blueberry
Monday, July 26th, 2010“A day in the life” of Yelawolf includes the Kiwi
Wednesday, July 14th, 2010Recently, DGTLXWW had the pleasure of following Yelawolf around for “A Day In The Hustle”. The video includes appearances from DJ Skee, Travis Barker, and many more.
During a quick jam session with Travis Barker, Yelawolf drops some beats and lyrics on the Kiwi:
See the full video below or here
DGTLXWW: Yelawolf “A Day In the Hustle” (Extended Version) from DGTLX WW on Vimeo.
Blue Podcast: April Smith and the Great Picture Show
Monday, July 12th, 2010NY-based April Smith and the Great Picture Show play hit single “Terrible Things” at Blue Studios and talk about the making of their latest release. Check it out on iTunes here
Don’t forget to subscribe:
The Blue Microphones Official Podcast is hosted by Tyler Barth from Blue Studios located in Westlake Village, California where we invite our favorite artists to come out and co-host the show. Get to know more about our special guests and the music they both play and enjoy. Each podcast features a track that our special guests will cut in the Blue Studio.
Skipper’s Tip: Why Blue’s new Drum Kit Kit is the only way to get big drum sounds
Wednesday, June 30th, 2010Earlier this month, Blue announced the Blue Pro Drum Kit…Kit, your one-stop solution for getting the legendary 3-mic technique recording. But why is this the best way to get the best sound? Blue’s Microphones’ founder Skipper Wise explains -
“The unique sonic signature of the Dragonfly was created by boosting the upper bass frequencies at 100-150hz to help thicken up thin signal sources. This character coupled with a slightly depressed mid range at 400hz and an extended top end at 12-15kHz, helps cymbals to be recorded with a live and present rich timbre. The rotating grill which house the Blue hand tuned large diaphragm condenser capsule can be positioned for the optimum placement with ease.
Filling in the deeper bass frequencies, the Mouse microphone takes on the chore of handling loud signal sources (SPL) such as the kick drum. Known for its durability in the recording environment, the Mouse is as versatile as it looks with its shockmounted rotating head.
These three microphones complete the sonic spectrum needed in producing a full-bodied, live recording session for the most discerning drummer and engineer.”





